Diatris is a Tetris-like falling stack game by Rob van Saaze. Released earlier this year and developed in GameMaker Studio.
I had the good fortune of catching a work-in-progress screenshot tweet, and messaged Rob, and ended up being a playtester for his game.
I like the interesting twist he put on the classic Tetris. This game is really different from its inspiration. The shapes are different, the falling pieces slide down the slopes of the stack, and the angle factor really changes the way the game feels. It’s quite challenging, and fun.
The graphical style is clean and polished, but juicy, and it looks as great as it plays. Rob has a great eye for graphical design, and it shows in his work. The attention to detail in animation and motion is
Yesterday, Nintendo announced their hardware revision for the Switch Lite. As I already have a Switch, I’m not likely to buy one, and if I didn’t have a Switch, but wanted to buy one, I’m not sure whether I would opt for the original or this new version.
The new version is cheaper, by about $100, but it gets to that price point by dropping features. The controllers are not detachable from the unit, which has a number of repercussions, both good and bad:
The controllers don’t get lost.
The connector/locking mechanism is a weak point that is prone to wear and breakage.
The controllers don’t need to have separate batteries so they can be used wirelessly, independent of the battery in the main body of the Switch.
This makes it considerably less expensive.
The left side incorporates a D-pad rather than the 4 separate buttons, which many gamers agree feels better and is better.
They dropped the HD rumble feature, which means that pretty much kills any future game development that might have made use of this feature.
The motion-tracking capabilities (accelerometer, gyroscopes, IR camera) of the controllers and their ability to be used in various configurations are gone, too. Even if they were kept, being attached to the console would prevent the controllers from being used freely in the way that detachable controllers could be. This marks a move away from the novel motion controls that Nintendo were lauded for innovating with the Wii.
It doesn’t connect to a TV, so is portable only. While the smaller size will appeal to gamers who want a more truly portable Switch, this likely means that the end is near for Nintendo’s venerable 3DS line of handhelds. (Of course, that writing was already on the wall the moment Nintendo revealed the Switch.)
To me, the bad outweighs the good, here. Dropping these features means that gaming consoles are reducing the scope of their capabilities, which means that game developers will have to work within a more limited set of constraints for how they can deliver experiences to gamers.
The reality is that most games are developed for multiple platforms, ported to any system that they can. The result of this is that game developers are already constrained to designing within the set of feature constraints represented by the least common denominator across all systems. As such, unique features that differentiate a console tend to go unused, and thus aren’t worth investing in. This means that innovations can only make headway if they’re adopted industry wide by all competitors.
That is, if everyone decides to do HD rumble and motion control, then game designers can create designs that target these capabilities, and by making use of them, will justify their existence and the large R&D and manufacturing costs associated with providing them. In other words, it’s use it or lose it.
This isn’t really anything new. In the NES era, there were very few games produced that supported the light gun. The Zapper was an optional accessory that didn’t come standard with every NES, and as a result the install base was too small, so a game developer who wanted to maximize sales would want to target the widest possible audience, which meant constraining themselves to develop games that could be played on any and all NES consoles, and this meant ignoring the people who spent the extra money to invest in the Zapper.
When Taito ported the arcade light gun rail shooter Operation: Wolf to the NES, they implemented an on-screen target reticle controlled by the D-pad, rather than support the light gun. I bought that game, assuming that of course they would provide a means to play the game for people who didn’t own a Zapper, but would surely have supported the Zapper as well, to provide the best translation of the arcade experience to the home console. But they didn’t. Instead, you had to deal with a slow, awkward control mechanism which made the game horrible to play. I couldn’t have been more disappointed. The game was a hit in the arcade, and a bomb on the NES.
In like fashion, we can now expect game developers to ignore the dropped features of the Switch that differentiated it from the market and made it special, but now are “non-standard” and not part of the full feature set. In large part, most 3rd party developers probably were already ignoring those features, rather than expending extra effort to create Switch-enhanced versions of their games that made full use of what the hardware could offer. But now even first party Nintendo titles that Switch-exclusive will likely not support these now-“extra” features.
Considering that Nintendo put so much effort into engineering these features in the first place, and made it a big part of the appeal to customers to buy a Switch instead of the more standard PS4/XBOne ,to me this feels like an admission that they were mistaken that such innovations would drive sales, and now they’ve taken an alternative track to target budget gamers. This might be a sound business decision; I’m not saying it isn’t. But it is a sad thing to realize; we’ll be seeing a blander future for games with the library of features reduced to just buttons and sticks.
It might well be that this is all any game designer “needs”, but I feel like the painter’s palette has been reduced. Imagine if painters had developed paints that produced scents that reproduced the odors of the subject, creating an enhanced experience for the viewer. Or textured paints that reproduce the tactile experience for someone touching the artwork. Not every painting would need olfactory features or haptics, but it would be more immersive for those that did make use of it, and would open up new worlds of possibility for people working in the medium. But if only a few painters bothered to make use of the capability, and if the enhanced features could only be experienced in person, and not through prints, photographs, or other-media transliterations of the original, many painters might well think “why bother?” and abandon the enhanced paints, leading to their death in the marketplace, and an endpoint to further development of the innovation.
What about “Switch Pro”?
The other rumored Switch revision has not surfaced. It seems unlikely now that it will. But many Nintendo fans had expressed a desire for a “Switch Pro” with features like a bigger, higher-resolution screen, larger JoyCons for adult-sized hands, larger internal storage and a beefier processor/RAM, and possibly losing the handheld mode and going TV-mode only.
While I’d definitely be more interested in this, I don’t think we’ll see it, especially now that the Switch Lite is out. Switch was intended to be a crossover device that unified living room and portable gamers. Splitting back up to “Switch Lite” for portable gaming and “Switch Pro” for higher-end entertainment center gaming would be a reversal of course, and for that reason alone I doubt Nintendo would make such a move.
It’s more likely that a hardware revision for the full Switch would bring additional RAM, CPU, and/or internal storage, but I wouldn’t count on a bigger screen with higher resolution (too much battery drain) and it seems to me there’s more than enough controller options for players with larger hands, particularly the Nintendo Pro Controller that if the JoyCons are too tiny for you, they’ve got you covered already.
Although my friends know me as someone who is an avid video game player, I have a confession to make. My last Mario game was Super Mario World on the SNES. I never played Super Mario 64, or anything later than that on the main Mario sequence. I mean, I’ve played Mario Kart and most of its sequels, but in terms of 2D run and jump platformer Mario games, I kinda left off early. By the time Nintendo 64 was out, I was in college, I had to work, and didn’t have as much time for playing games as I once did.
It wasn’t that the Mario games weren’t good. But I did feel like Mario was kinda over-hyped, and a bit overrated.
There, I said it.
Now, don’t get me wrong, I like Mario. I do! But he’s everywhere. With Nintendo’s other star franchises — Zelda, Metroid, Kid Icarus, Punch Out, Kirby, Pokemon — you had time to miss them. A new game might or might not come out for this generation’s new console. But it might only be one game. And there wouldn’t be a slew of cameos and guest appearances in other games, either. Mario hype was just relentless, and for me at least, it became somewhat tiresome. It felt like they should come out with a game called Super Mario Saturation, and be done with it.
That’s kindof where we’re at now. After three, almost four decades of Mario games, the developers have a robust, mature Marioverse. They keep coming up with new ideas, somehow, but one wonders just how many more Mario concepts there might be left to explore. Infinity – 1, of course, but one might well ask: Does the world really need another Mario game?
The answer, of course, is: of course. The world will always need another Mario game. Nintendo will see to that, rest assured.
But that said, Super Mario Maker 2 just might be the last Mario game you ever need.
I missed out on the original Mario Maker, as it was a Wii U release, and I didn’t buy into the Wii U. But man, was I tempted to buy a Wii U just to be able to make Mario levels!
The idea of Mario Maker was obvious: Take classic 2D Mario platforming and add the level editor from the original Excitebike, and garnish with social media. This was everything a Mario platformer fan could ask for. Fans unleashed their creativity. People created amazing levels that pushed the limits of Mario physics. Some really amazing levels were made. I can only imagine that Shigeru Miyamoto’s own expectations were exceeded.
So when Nintendo announced Super Mario Maker 2 for the Switch, I pre-ordered it immediately. This is noteworthy, as it’s the first time I’ve ever pre-ordered a videogame. I’ve always felt that videogame preorders were a bad deal and a bad idea — games get canceled all the time, and frequently games don’t live up to the hype when they’re finally released, and it’s always cheaper to wait a bit and buy games on sale. But I’d been waiting — since 2015! — to get my hands on Mario Maker, and I would not be delayed.
So I picked up the game on Friday, and have been playing it for a few hours a day since then.
Mario Maker lets you create levels using most of the 2D Mario engines: classic SMB, SMB3, SMW, New Super Mario Bros. Notably missing is the capability of making levels in the SMB2/Doki Doki Panic engine, which I find sad as SMB2 is a different game and among the best in the series.
To my surprise, I have yet to make my first Mario level. The game has a Story Mode, which I’ve been using to get caught up with all the changes that have accumulated since I last picked up SMW. The story is: the mushroom people had just completed a new palace for Princess Peach, when Undo Dog accidentally sets off the Reset Rocket, obliterating the entire construction. Wiped out, they must build anew, but lack the coins needed to fund the rebuild. So Mario must complete “jobs” in order to earn coins, which are used to rebuild the castle bit by bit. So far, I’m a bit less than halfway through the reconstruction.
The Story Mode gives me the opportunity to experience a wide variety of course designs, and appreciate them as a designer as well as a player. If I struggle with a level, the game gives me the option to edit the level to add a power up, or remove a challenge, to make it easier to complete. This is such a clever way of giving the player a way to get into level design — by editing a professionally designed level, rather than having to start from scratch. If I really have trouble, I can also “call Luigi” to clear the level for me. I had hoped that this would involve watching a computer-controlled Luigi run through the course, so I could see how it’s done, but it all happens off-screen, which is a bit disappointing.
For clearing these Story Mode levels, you are rewarded with coins, which you can use to rebuild the new palace, and each bit of building advances the story a bit further. I find that it really does make me feel like I want to play more levels, beyond my desire to enjoy the levels for their own sake.
So as I’m playing these levels, I’m getting ideas for how I might design a level using the multitude of design elements: time limits, auto-scrolling, platform jumping challenges, hidden secrets, puzzles, enemies, all the different power-ups a Mario game has ever given us — to create an interesting and fun level. There is a lot to work with.
I will probably follow up this brief review with another article focusing on the Mario Maker editor in greater depth. My initial impression is that while the variety of pieces you can work with is a bit daunting, the level editor is polished enough that it is enjoyable to work with it. While a Mario level can be quite complex, it’s pretty simple to get started. From there, you can get as complicated as you want. If you’ve been living under a rock and would like to see what’s possible, without actually owning the game or a Switch, just check out all the videos on YouTube of people showing off their amazing, crazy level designs.
Once you’ve designed a level (which I have yet to do), you can upload it and share it with the world. Then you can download and play levels made by other players, and challenge yourself to complete them. The replayability offered is truly unlimited. And, I would imagine, probably frees up Miyamoto to retire from designing new Mario games, if he would like. I hope that he continues to produce new, creative works, but at 66 years old, it’s inevitable that day will come sooner or later. And, let’s face it, with all that he’s given the world in his career, he’s definitely earned it if he wants to step away.
Even if Miyamoto-san becomes immortal and never stops working, perhaps we could say that the Mario Universe has now been completed, and that from here out, we can make our own Mario levels, and Nintendo can reassign their design teams to developing some brand new ideas. But I’m sure there will probably be a Mario Maker 3, maybe it will be a Mario Maker 3D, and give us the ability to make Mario 64, Sunshine, Galaxy, and Odyssey levels. But I’ll be satisfied if they release a 2.1 that includes the ability to create SMB2 levels.
Even the title screen of the game is fun. It is actually a complete, playable SMB3-style ship level. No, wait, it’s better than that. It’s a random different level every time you restart the game! I got to the end of it, hoping something special would happen, like I’d get a trophy or unlock something, but I guess it was just for fun. For all I know, maybe there’s some secret I didn’t discover in there.
Super Mario Maker 2 offers so much to the player. I’m tempted to say “everything a Mario fan could want” but without a SMB2 physics engine, it feels a bit incomplete. Still, there’s no end to the creativity enabled by this tool. And even without creating anything with it at all, there’s still a ton of fun to be had from playing the included Story Mode levels, and playing the thousands of levels thas SMM players have created already. Whether you’re a creative, level designer type or just a casual Mario gamer, Super Mario Maker 2 is a must-buy.
I’d love to see Nintendo bring out a Zelda Maker for top-down classic Zelda fans. And if Capcom would put their blessing on the MegaMan Maker project and give them funding, publishing, and everything else they need, that would be sweet. And we should all be asking for a Metroid Maker, and a Castlevania Maker.
There have been a few retro/homage products released in recent years for the Commodore 64, famous to many for being the best selling personal computer of all time. Jeri Ellsworth’s C-64 Direct to TV project from 2004 being one of the first, if not the first, and last year’s C=64 Mini. It was a cool little system-in-a-stick that could plug directly into a TV set and play a selection of built-in games that could be played with the joystick, but lacked the keyboard and floppy drive, making it a limited re-creation of the original at best.
A “C=64 Mini” that came a couple years ago was kindof a disappointment; it had a collection of built-in games, but not a working keyboard, or interface for installing/running other titles. I guess if you really wanted to, you could hack them, but that was well beyond what someone with a casual interest of re-living the C64 with their favorite games and programs would be likely willing to pursue.
A new TheC64 Mini project has been announced which will be full-size and include a working keyboard, and HDMI output, which should ship in December 2019. I don’t have details on the internals, so whether it will be some kind of C64 SOAC or a FPGA-based system, or what, is anybody’s guess for now.
It will come with an improved joystick as well, and apparently will have USB ports, which means it may be possible to run software beyond the 64 built-in games that it will come bundled with, but that’s not clear at this time whether it will actually have any such capability. It would be ideal if you could mount a microSD card with disk images of games that came on floppy, or ROM files for cartridge-based games, and play them on this new system. Due to copyright, it’s unreasonable to expect every software title ever released for the system to be included out-of-the-box, but wouldn’t it be nice if copyright were reformed to allow obsolete software that is no longer marketed to be distributed freely so that this could be possible?
The C64 had a fantastic library of software, and has been a demoscene favorite for decades, and it would be amazing to see a modern, fully featured re-issue. I don’t think that this will quite be that, but it may be the closest thing we get for the forseeable future.
Ouya. The kickstarted, indie-friendly mini console based on Android that failed in the market, is now on its deathbed. After Ouya gave up on its dream, it sold off its assets to some company, and there was some vague plan of relaunching a new brand in China, or something, but it didn’t work out. Now, the games servers are going offline, and the games will not be able to be downloaded or even played in some cases, if they need to connect to servers that no longer exist.
This shows dramatically the dangers of digitally distributed games-as-a-service. When the service is discontinued, there’s nothing left to own. History is lost, and there is no legacy, as everything fades into oblivion.
Atari made another announcement about their upcoming console, formerly known as the AtariBox, today. They are now taking pre-orders, through their website, as well as GameStop and Wal-Mart, and expect to be shipping orders in early 2020.
I went to Atari’s website, AtariVCS.com, to see what other information I might find about upcoming game titles, and found… no further information.
Well, nothing beyond what they’ve already announced months ago, about making old classics available through the “Atari Vault”. Which, given the existence of 9 previous generations of Atari Flashback consoles, which have sold for less than a third of what the Atari VCS will sell for, doesn’t make me feel too excited. The “Atari Vault”, which seems to echo Disney’s marketing with the “Disney Vault” of old re-releases that they would only put out once in a while, to ensure demand for them when they did, isn’t really an apt metaphor, considering that Atari IP has constantly been repackaged and made available with every generation of new hardware, from the NES to Now. This is simply the latest such repackaging.
Atari have a section of their site devoted to game developers, with an email link for interested developers to contact Atari for more information about developing for the system.
I make games, so I tried sending an email to their address, firstname.lastname@example.org. The email bounced.
Not a great sign. Even if there are developers interested in working with Atari on games for the new system, they can’t contact them, because their email server isn’t configured correctly.
Something tells me that if they can’t even be bothered to verify that their mail server is working before they launch their website, they aren’t exactly doing the best job with running the company.
It may be that this is simple incompetence on the part of whoever set up the site and didn’t bother to test critical functionality, and this will be corrected quickly. Or it may be that they didn’t bother setting up their email server correctly because they don’t have a product, or are so far behind in having a product ready that they’re not really able to field inquiries from would-be developers.
It’d be rather surprising if this were true; it’s one thing to scam backers on Indiegogo, but GameStop and Wal Mart would certainly file expensive lawsuits if Atari failed to come through with a product, wouldn’t they? One would expect so. But I think unless Wal Mart and GameStop actually advance any money to Atari, they wouldn’t have any reason to do so. Pre-orders don’t always mean that the product gets released after all, and retailers don’t have any control over that. Products often get canceled and delayed, and it’s almost a routine thing these days. Being partnered with two major retailers really doesn’t mean anything for Atari’s credibility. If Atari did end up failing to deliver and canceled the new Atari VCS console, GameStop and Wal-Mart already have returns departments that would reimburse customers. Meanwhile, they can sit on the money and allow it to collect interest from now until release day.
As usual, until Atari does more than show digital renderings of the case and controllers, and actually show working hardware, and announce a game lineup that is more than just repackaged old content, there’s no reason to recommend anyone buy this console. While I’d love to see the Atari of Old return and become a vibrant and relevant force in the industry again, the Atari of Today isn’t that company, and hasn’t yet shown the world anything to get excited about yet, a few pictures notwithstanding. I’m still skeptical that Atari is capable of successfully launching a new console in 2020.
To have any hope of being successful, Atari needs to bring exclusive new games that provide a compelling, refreshing vision of what their original intellectual property could have become if it had continued to be developed and evolve from the 1970s to the present day.
Their one title that they announced when they first pitched the AtariBox concept to crowdfunders about a year ago, Tetris 4K, was released last year — on other consoles. Consoles that actually exist. No other titles have been mentioned. Atari only makes vague statements about “talking with developers about some exciting things” and that they “can’t reveal more information at this time.” That’s hardly confidence-inspiring.
So, Atari, where are the developers? Where are the games?
From what Atari have been able to tell us about the upcoming hardware, it is a generic AMD x64/Linux machine with their branding and front-end, and will run games that run on standard Linux. Which means, a pretty big library, potentially, right out of the starting gate, but also means little reason to expect any games released for the Atari VCS will be exclusives that would draw gamers to buy the hardware. And why own an AtariBox if you can buy the same games for the conole(s) you already own?
This isn’t the first time I’ve heard of an old computer system being hacked in such a way that its program doesn’t use any RAM. Several years ago, I saw a talk by someone who had done something similar on the Commodore 64. They eschewed storing any data in RAM by using the CPU registers and directly accessing other hardware components such as the controller ports, and were able to make a working program that used no RAM at all.
It’s truly amazing what can be done under such constraints.
I think, in appreciating the accomplishment of projects like this, it’s easier to understand my relative “disappointment” in learning that Champ Games had used a 32-bit, 70MHz ARM CPU in their Galaga cartridge to augment the VCS system, rather than figured out some way to get the game to run on stock (or minimally extended, as some later contemporary releases for the VCS were) hardware.
I regret that it sounded as though I thought that the game itself was disappointing — far from it, it’s amazing, easily one of the best ports of an arcade game to the platform that’s ever been produced. And the technical accomplishment of getting the ARM CPU to mesh with the much slower Atari hardware is likewise amazing, in a different way. But knowing what’s possible to do with zero RAM, for a moment I thought that just maybe someone had figured out a way to squeeze all that performance and graphics into a standard Atari cartridge.
But really, there’s no reason to judge one of these projects as superior to the other. They should both be appreciated. One accomplishes something through extreme minimalism, and is beautiful in that way. The other accomplishes something through an extraordinary joining of old and new technology, and is beautiful in its own right.
Atari announced updated designs for their joystick and gamepad peripherals for the AtariBox (now called the Atari VCS) today. Allegedly, these are about to go into production soon, but are still subject to change and are not final.
I have to admit, I do like the design of the joystick, and wouldn’t mind owning one if they ever do get manufactured, assuming they will work with generic PC systems and aren’t tied exclusively to the AtariBox console.
One neat thing about the joystick that they revealed is that the stick will rotate, enabling play of paddle type Atari games. This answers a long standing question I’d had about whether/how the new system might support paddle games. I don’t know that this will feel as good as the old-school paddled did in their day, but it’s good that they’re at least supporting them. As well, it means that spinning stick arcade games, like the Ikari Warriors series of top-down run-n-gun games, might be decent to play with a stick like this.
The joystick will also have rumble and LED lighting features. Wireless, it will be powered by lithium ion battery, with a life of about 15 hours per charge. No word on how easily replaced the battery pack will be, or if replacement batteries will be available. I wouldn’t count on it, although of course it should be possible to hack them and replace with any third party battery of the correct spec, which is what I imagine owners will have to do once these things are a few years old and no longer can hold a charge.
The gamepad, I’m less interested in, as it seems less special, not different enough from an XBox gamepad to be worth buying. Since Xbox gamepads are already very good, the AtariBox gamepad would need to outshine it in some way to be worth my attention. I haven’t seen any indication that it might.
If these start shipping, and the initial reviews are good, I’d order a pair, but I’m still wary enough about the reputation for the current company using Atari trademark that I don’t want to go in on a preorder.
I have seen some of Champ’s other Atari 2600 homebrew projects, and they’re very impressive. They did a version of Scramble which is virtually indistinguisable from the arcade, which is an incredibly impressive accomplishment on hardware as limited as the Atari 2600.
Galaga is a classic arcade game, one of the most successful of its era, and can still be found in bars and arcades all over. It was one of my favorite arcade games as a kid, and I’ll still drop a quarter in one when I find one and have some time to kill.
I owned the Atari 7800 port of Galaga, and was glad I could play a version of it at home, even if it wasn’t quite exactly the same experience as playing the arcade version. What Champ has come up with, from what I can see in their video, it appears it feels closer to the arcade than the 7800 port, although the graphics are slightly inferior to the 7800 version.
Here’s a preview video showing the game in action and talking about some of the technical details:
As a Galaga fan, I really want a copy. As a game developer, I’m impressed with the effort and execution it takes to get a game looking and playing this good on such limited hardware. It simply shouldn’t be possible on an Atari VCS, which only has 5 hardware sprites plus backgrounds, and nowhere near enough CPU or memory to handle all the complex movement that is required to accurately re-create a Galaga experience.
How do they do it? Well, I asked them. And they were nice enough to answer: they build a cartridge with an ARM CPU in it, and it augments the Atari’s built-in hardware, and this is how they’re able to create games that are vastly superior to what should normally be possible with the 2600 console alone.
My response to this was disappointment, and I said as much. But I think it came off the wrong way and more than one person jumped on me for saying something negative about what is otherwise an exciting project for fans of the Atari and of Galaga. No one was particularly brutal toward me, but the creators behind the project were a bit nicer than their fans, and engaged with me and we had an interesting conversation on the philosophy of homebrew, and how their technology works. I want to thank them for that, and for creating such great games for the Atari 2600 in 2019, and keeping the system alive more than 40 years after it launched. I have a copy of Scramble and am really looking forward to playing Galaga and Zookeeper (another favorite classic arcade game) when they’re ready.
So, first things first, from a gamer’s standpoint, the only thing that truly matters is the game experience itself. It doesn’t matter what technology is inside of it, or how amazing, complicated, or messy the engineering is. The only thing that matters is the experience you have when you play the game. If it’s fun, if it’s polished, it’s a good game. End of story. And that’s exactly why I’m excited about buying a copy of this when it’s ready for release.
Now, as to my disappointment. At first I thought I was seeing something impossible, and I was really keen to hear how they had managed it. The solution of adding an ARM to the system architecture of the VCS is fine, nothing wrong with it. But it’s not amazing. My disappointment was from the vantage point of the programmer, who was mind-boggled at how this team had managed to get so much performance out of a 6507 CPU backed by 128 bytes of RAM. Well, they didn’t. They bolted on a 70 MHz ARM CPU, and got it to talk to the rest of the system, and while that also requires some neat engineering, it’s not magical in the way that somehow figuring out how to get 3x Zilog Z80’s worth of performance (which is what powered the original arcade Galaga machines) out of a MOS 6507.
That’s really all I meant by what I said. I don’t consider it “cheating” to augment the console hardware by packing in additional chips on the ROM cartridge circuit board. This was done back in the day, and was very necessary in order to extend the life of the Atari. All cartridge-based consoles that had a market life of more than a few years needed to use such tricks in order to keep their hardware competitive and relevant as computer technology doubled in speed every year.
The only real difference is that these augmentations were done using chips that were comparable (or at least within 1 generation) of the capability of the original hardware. They truly did augment the system. Whereas, with a 32-bit ARM CPU, you really could build a system around that chip alone, and do more than you could by interfacing it to a 40-year old Atari system architecture that forces it to slow down and work within the constraints of its design. I mean, with a 70MHz 32-bit ARM CPU, it should be possible to do an arcade-perfect emulation of the original arcade hardware, or if not then to certainly come much closer to that than what you can get by running the I/O and video drawing through an Atari VCS. So, rather than the ARM augmenting the Atari, the Atari is kindof bringing down the ARM. This doesn’t matter if you’re nostalgic for the Atari and like the feel of a CX40 joystick in your hands and the crude graphical style just barely possible with the 6507-driven TIA. If you don’t know or don’t care about the engineering, it just looks and feels like the best damn Galaga port you could imagine, running on an Atari 2600, and actually quite a bit better looking than anything you would have thought possible if you did know the system’s capabilities.
But really, it’s almost all due to the ARM chip’s capabilities, which are many times the power of the rest of the system.
I suppose one could take an Atari 2600 controller, put a wifi chip in it, and have it interface with Google’s Stadia console-in-the-cloud, and run Assassin’s Creed, downsampled and graphically degraded, through the Atari, as well. And… actually hell yes, that would be cool as fuck. I want to buy that too. But it’s a different kind of cool to hook an Atari up to a cloud supercomputer platform than it would be to somehow squeeze Assassin’s Creed into 4 KB of ROM, if that were even possible.
If he had somehow teleported the Statue of Liberty, and then brought it back, or if he had somehow made the Statue of Liberty disappear, how awesome would that have been? Whether by real “magic” or by some super-advanced technology that no one else had yet heard of, that would have been beyond amazing. It would have changed the world we lived in, in untold ways. But it didn’t. He just set up some elaborate rotating stage, hid everything behind curtains for over an hour while everything was being moved into position.
Eight year old me was captivated by the idea of a giant statue disappearing and reappearing, whether through magical or advanced technological means. A couple years later, though, I was old enough to realize it wasn’t “real” magic, and that it was some kind of “cheap” trick (well, relative to the cost of really doing it, anyway), and wasn’t as impressive as I had thought, and as a kid you really hate being lied to, you hate being fooled. It makes you feel embarrassed and dumb, and you want to hide the fact that you ever thought it was cool.
So for a long time after that, I kindof had this grudge against David Copperfield, and stage magic, and whenever I’d see someone pulling off some sleight of hand or optical illusion trick, I’d get annoyed and impatiently insist that magic is bullshit, and refuse to be impressed by it, because I wasn’t some fool. For maybe a year or two, I had believed that we were on the cusp of a Star Trek-promised future, with instant teleportation, or at least invisibility shields. That would have been so cool. But no, we didn’t get that.
Well, now that I’m 43, I’m back to being impressed at how convincing an optical illusion David Copperfield could create with just some lights, scaffolding, cranes, and a rotating stage that moved slowly and gently enough that an entire audience didn’t notice they were moving. Even if the entire trick required the cameras filming it to be positioned just right. That still took some serious engineering effort, and even for as limited as the result was as compared to true invisibility or teleportation, when you realize all the work and planning that had to go into it, that’s still pretty damn impressive — just in a different direction completely than I had been (mis)lead in the first place.
So this is what I meant by “disappointed” when I found out that Champ Games puts an ARM CPU in a cartridge and through some impressive engineering hacks gets it to talk in sync with the console and run a game that blows most other Atari 2600 cartridges away. Sure, the game is impressive and it’s certainly going to be fun to play. On the other hand, a ARM CPU is in a different “weight class” from a typical ROM cartridge with perhaps a little extra RAM or a sound chip soldered onto the board. This isn’t to take anything away from the experience of the game, or the technical wizardry required to build it.
But it’s a bit like putting a 1000cc engine into a go kart and then winning a go kart race with it against a bunch of stock go karts. It’s still a pretty cool project to put a 1000cc engine in a go kart, but when you find out that’s why that kart was so much faster than the others, it’s hard not to be a little disappointed that the secret wasn’t some method of suping up a 50cc lawnmower engine to get the performance of the 1000cc engine. And then you realize that the chassis of the go kart really limits how much performance you can actually get out of that 1000cc engine, compared to something engineered to get the most out of it, like, say a state of the art motorcycle chassis, transmission, wheels, etc. And then the super kart seems, well, it seems pretty fun still, but kinda wasteful of the potential of that engine.
When it comes to chip enhanced ROM cartridges, I think it’s fair to say that, at least from an engineering standpoint, once you get to the point where the enhancement hardware is not only more capable than the console itself, but is actually held back by the restrictions imposed by having to interface with the console, such that you’re exceeding the console’s limits, but not able to push the expansion hardware anywhere close to its limits, you’re at a cutoff point. While it’s entirely possible to create an awesome game experience this way, you’re really at a point where you’re well beyond the capabilities of the console, and the console is holding you back. At that point, you might as well engineer a new system.
The only practical reason not to engineer a new system would be if the existing install base for the obsolete console is still a viable market; the work it takes to establish such an install base with a next-generation system is considerable. But this is a business consideration, not an engineering consideration. And business considerations aren’t less legitimate than engineering considerations, but obviously businesses do at some point make the decision to roll out a new generation of console hardware. Which is why we’ve had several of those in the intervening 40 years.
And of course, there’s nothing wrong with doing it “just to do it”, in the way mountaineers climb the tallest mountain they can find “because it’s there”.
Update: ROMs for Galaga are now available for download.
I bought a new phone last month, for the first time in about 4 years. After doing some research, I found the Ulefone Armor 3 had the closest to the features I wanted: ruggedness and a big battery.
I ordered mine from Deal Extreme on March 14, but it wasn’t delivered until April 16. I understand shipping from Asia can take time, but the product page said “7-10 days”. I wrote to the seller after 12 days, and they didn’t respond until I had sent several emails, finally explaining in broken English that they were waiting on restock. When I ordered their inventory said close to 40,000 units, which clearly wasn’t the case. It wasn’t until after the first week of April that I finally received notification that my order shipped.
Fortunately, it arrived undamaged. If you’re in a hurry and don’t mind paying a lot more, you can get them from Amazon sellers for $400 in less than a week, but I paid just $272 for mine, which is a great value for the price. The Armor 3 can be had for as little as $230, but I opted for 3T,which has a push-to-talk walkie talkie feature that the Armor 3 lacks.
Ulefone is not well known in the United States. From what I have read, they are a Chinese maker. The Armor series are rugged designs rated for IP67, IP68, and can withstand drops, water immersion, and don’t need a protective case to achieve it. Ulefone also has a line called Power, which has bigger batteries than most phones. The Armor 3 has both ruggedness and a big battery, which is what I was looking for.
I’ve had mine just 3 days, and I like it overall, but there are a few shortcomings. The biggest problem is that the screen is not very bright, and in direct sunlight is impossible to read.
No pedometer. Most phones these days have them, but not this model. Which, is a shame considering the “rugged outdoors” theme of this model. No qi charging. USB charging only. Wireless charging would be a nice feature, as it would reduce wear and tear to the USB C port. Access to SD/SIM slots requires a tool, which they provide, but carrying a tiny screwdriver around just in case isn’t the most convenient, and the tiny screws are tiny. This thing has the loudest external speakers of any phone I’ve ever used, and speakers isn’t a mistake. It has stereo. But on speaker phone, the minimum volume is still too loud for quiet indoor use. But should be fine on an oil derrick or construction site.
The good outweighs the bad. The phone runs Android 8.1 out of the box, and it has an 8 core CPU backed by 4GB RAM and 64GB internal storage, plus the optional SD card, which should be plenty of space. The performance specs are mid-tier, but I find them to be more than adequate. Battery life is excellent, and what you would expect from a 10300 mah battery. On low power mode, it is especially good, and I don’t notice any performance reasons to recommend not using low power mode.
I haven’t had too many calls with it yet, but call quality might be an issue. Whether this is a carrier/network problem or a VOWIFI problem, I’m not sure yet. But in the two calls I’ve had, there were stutters and drops, as well as some squawks and beeps. I haven’t yet found the setting to disable VOWIFI, but I suspect this could help.
I did do my research and confirmed that the global version of the phone supported the bands that T-mobile use in the USA. Most of the handsets that Ulefone offers sadly do not.
I was worried that the phone would be too big for easy one hand use, and too big to pocket. It is pretty close to the limit for what I can handle one-handed, and my hands are fairly large. But it fits my pocket ok, though it is a bit long. Over all, I can live with it.
Hopefully Ulefone will be able to establish itself in the North American market. It’s models are very attractive, and offer something different from most other makers. These big battery phones are great, and just what I want in a phone, and there’s not much out there currently that can match it.