Tag: Atari

Berzerk: Bad Box Cover Art

Atari, design
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This is the cover artwork for the Atari 2600 video game, Berzerk.

When I was a kid, I never understood this image.

The illustration shows the human protagonist blasting a robot, caught in mid-explosion.

I could not recognize the robot’s anatomy, due to the way it’s clipped by the frame of the image, and the weird low angle and rear point of view.

To my eye, it looked like I was looking at the head of some insect-like robot, with its mandible coming apart, showering electronic sparks and fire, and the large round feature looking to me like huge compound bug eyes.

It’s actually the robot’s arm, and that thing that looks like a visor coming out over the nose between the two eyes is just some kind of weird mechanical shoulder joint.

I don’t know why they chose this particular image for the cover art, but I always regarded it as poorly chosen — visually confusing, and not very effective as a composition.

Maybe if they had framed the image a bit less close-up, so you could see the whole robot, and have more of an idea of what it was, it could have worked. Not having the robot’s head in frame, really messes with your perception of the image, and the ambiguous shoulder joint that looks enough like a head that it can confuse you into not seeing the image correctly, is a bad choice for the cover.

It’s still not as bad as the cover for Mega Man. Although, I actually like the cover art for Mega Man, and I think Mega Man had a better composition, albeit poorer rendering.

Atari teases SwordQuest: AirWorld ahead of 50th Anniversary Collection release.

Atari
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40 years after the final game in the SwordQuest series was canceled, Atari is finally about to release the long-forgotten AirWorld chapter.

A teaser video showing gameplay shows that the game appears to be keeping with the style of the first three chapters, EarthWorld, FireWorld, and WaterWorld. Whether that’s good or not is debatable, but the gameplay does look like it’s a little better than the entries that preceded it, and I do have to give Digital Eclipse a lot of credit for keeping the style of the Atari 2600’s crude system limitations.

The Swordquest games were rather cryptic and not all that enjoyable to play, and not exactly worth the time to play them today, apart from as a historical curiosity, but were part of a massive contest held by Atari in the early 1980s, which helped them to attain a legendary status.

Apparently it goes on sale November 11th, as part of the Atari 50: The Anniversary Celebration collection, on “all major platforms”. I take it to mean that there will not be a cartridge version of the game playable on the original Atari VCS hardware.

Atari to release SwordQuest AirWorld for 50th Anniversary Celebration

Atari
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The company that calls itself Atari these days is releasing the fourth and final game in the SwordQuest series, as part of the brand’s 50th Anniversary Celebration. Atari was founded in 1972 by Nolan Bushnell, Al Alcorn, and Ted Dabny, making 2022 the 50th anniversary of the brand’s existence.

The SwordQuest series was an ambitious, ahead of its time, puzzle/quest game, intricately tied into a real-world contest to solve each game. The first three games in the series: EarthWorld, FireWorld, and WaterWorld were released, but the final game, AirWorld, was never developed and was canceled amid the 1983 video game crash.

Each game was packaged with a comic book which told the story and held hidden clues which the player would follow while playing the game to try to discover the secret. Players who solved the puzzle were entered into a contest where they could real jewel-encrusted gold prizes, worth $25,000 according to Atari: a scepter, a crown, and a cup. I think the plan for the fourth prize was a sword, but like the game you’d need to beat for a chance to win it, it was never made.

The games were very cryptic, and would have been suitable for older (teenage and up) gamers. As a 7 year old, I didn’t really understand what was going on in these games, but spent hours wandering around, trying to collect the objects from the rooms to figure out what they did, and what you were supposed to do in the game, but never really understood that the game required the comic books in order to solve the real puzzles and beat the game. You controlled a man who ran around a top-down “overworld” which consisted of mostly empty rooms with doorways to each of the cardinal directions. The only difference between the overworld rooms was their color, and sometimes items that were found there. Many of the rooms had a challenge that you had to overcome before you could enter. This challenge consisted of one of a selection of mini-games where you had to evade obstacles in order to pass from one side of the screen to the other. Typically if you fail the challenge, you get knocked back and have to start over, or you can give up and back out. EarthWorld, FireWorld, and WaterWorld had color schemes and graphical themes corresponding to their respective elements, as well as tie-ins with things like the Zodiac.

The mini-games were challenging enough, and were fun enough, when they weren’t infuriatingly unfair.

EarthWorld and FireWorld are very common, but WaterWorld is a rare cartridge. It was produced in limited numbers and I think it was only available by mail order or some kind of limited time special order offer. A friend had a copy, which I was fortunate to be able to play when I as a kid, and I never realized that it was so rare. As a result WaterWorld is an expensive collector’s item, although as a game it’s not really any better than the other two, which, apart from their contest allure to win real-world gold prizes, are not really great games by modern standards, barely worth replaying now.

Not much is known about AirWorld yet, but we can expect it will likely be similar in format as the first three, but perhaps more refined, than the other SwordQuest games. We do know that it will play on the 2600, and that it was not a re-discovered unreleased game, but was developed only recently. I’m actually curious to see what it’s like, and looking forward to playing it, just to be able to complete it. A re-issue of WaterWorld that I could buy at a reasonable price would be nice, but Atari’s re-releases of 2600 games have been priced at $100, which is about what a loose copy of WaterWorld is worth. There’s no word as yet on whether there will be a new contest with a big-ticket gold prize, but I’m not holding my breath.

When finally released, SwordQuest AirWorld will set a record for the longest time between initial announcement and release — about 40 years — beating Metroid: Dread (16 years) and Duke Nukem Forever (15 years) by over a decade. (Of the three Duke Nukem Forever was supposedly under continual development, and was never canceled, making it the longest continual game development project.)

Atari “recharged” will it be warmed over or hot?

Atari, Console Gaming
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Atari just announced some actual new game titles this week. Well, “new” in the sense that they are “recharged” versions of classic Atari games: Breakout, Centipede, Black Widow, and Missile Command. That’s sort of new, right?

We’ve seen Breakout demoed for a while, but these others I haven’t heard about previously. They all feature vector-like wireframe graphics in neon colors that evoke vectorscan CRT graphics, much like the classic hit Geometry Wars: Retro Evolved. I like the aesthetic.

It’s nice to have something interesting coming out of Atari after years of underwhelming-to-disappointing announcements regarding the VCS console project. It’s really good to finally see something new offered, this is what I would have wanted to see a lot sooner.

Curiously, these Recharged titles are not VCS exclusives — they are all available on Steam, the Epic Games store, Switch, XBox Series X/S, and Playstation 4+5. While I think this approach makes the most business sense — you want to put games in all markets to sell the most copies and maximize revenue, it seemingly undermines the “true believer” customers who invested in the VCS crowdfunding, only to find that they could have just bought the games on any other platform. I’m unclear but it may be that they will be available on the VCS sooner, but even if that’s the case, getting the games a few weeks earlier on a relatively expensive, less powerful hardware platform still doesn’t sell the VCS to me very strongly.

I’m most interested in the Black Widow: Recharged game, as this is the least well known classic Atari title out of the four, and therefore has the most potential to offer as a reboot.

I’ve been pretty critical of Atari for the past few years as the disappointments with the delays and inadequacies of the VCS have mounted, so it’s really nice to finally see something happening that looks like it might actually be cool.

Weirdly, although I’ve seen announcements from various videogame news sites about these titles, Atari’s own website looks like it’s only pushing Centipede: Recharged at the moment. Where’s the other games? Are they holding back so they can focus on each one at a time? Or is the Atari Recharged site just that hard to navigate?

Howard Scott Warshaw: Once Upon Atari

Atari, reviews, Uncategorized
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I’m about halfway through Once Upon Atari: How I Made History By Killing an Industry by Howard Scott Warshaw, and loving it.

Howard Scott Warshaw, if you didn’t know, was a programmer for Atari in the early 80s. He worked in their console division, where he developed the games Yar’s Revenge, Raiders of the Lost Ark, and E.T.: The Extra-Terrestrial for the Atari 2600. These were groundbreaking games on the most popular home console of its day, and accomplished many “firsts”.

In 1983, the video game market suddenly collapsed, due to a combination of a multitude of factors, but at the time Warshaw’s E.T. was often given blame for causing what came to be known as the “Great Crash of ’83’. E.T. has often been referred to as “the worst video game of all time” but that is quite unfair to the game, which pushed the limits of the Atari 2600 hardware, and while not perfect, was by no means a bad game — although it was drastically over-produced by Atari, leading to a huge amount of unsold inventory, which hurt the company’s bottom line. Warshaw was given 5 weeks to develop the game, a feat thought by his managers to be impossible given that most Atari 2600 games took about 6 months to develop.

This is all well known and chronicled history for video game fans. Warshaw to his credit has been remarkably accessible and open about his story for some time, and has given numerous interviews over the years. He’s even been known to appear on the Atari Age facebook page and comment once in a while. He’s truly a legend of the industry, and a wonderful, brilliant human being. This book details his story, how he came to work for Atari, what went on there during his tenure (confirming a lot of the oft-retold stories about the workplace culture), and how he faced the indignity of being cast as the creator of the “worst game of all time”.

Warshaw left Atari and went on to become a licensed psychotherapist and has helped people like himself, who worked in the high tech field to deal with the immense pressures that they’re put under to be creative, be correct, and deliver products that will make billions of dollars for themselves or their shareholders.

I haven’t gotten to that part of the book yet, but from what I already know of his story, his approach to dealing with failure, or at least the perception that he had been responsible in large part for a massive and very public failure of what had just a year prior been the fastest growing company in the history of the world, is remarkable as it is instructive. He has embraced the label, but adds to it that his Yar’s Revenge is often cited as one of the best video games on the Atari, thus giving him the rightful claim to having the greatest range of any game developer. Turning a negative into a badge of pride, he has faced the critics, rebutted them with not just clever rhetoric, but also facts, figures, and sound reasoning, and provides us an example of how “failure” often isn’t failure, that perceptions matter, that what you tell yourself matters, and that above all it does not define us — we have the power, if we choose to use it, to define ourselves.

Warshaw’s writing style is accessible, not overly technical, candid, often quite humorous, warm and insightful. Reading his book makes me admire him even more than I did, and grateful for the handful of times that he’s Liked something that I’ve said on the Atari Age facebook page, and most of all, thankful for the many hours I spent as a young child engaging with, and enthralled by, his digital creations.

https://newonceuponatari.hswarshaw.com/

Atari Age 2020 Pre-Order

Atari, games
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Atari Age, the fan-operated homebrew operation that holds the most legitimate claim to the legacy of Atari-that-was, has opened up pre-orders for a new batch of games for the Atari 2600, 5200, 7800, and 400/800/XE systems, and even the Atari Jaguar.

Zoo Keeper - Champ Games - Atari 2600
Zoo Keeper (2021, Champ Games) – Atari 2600

I’m most excited about Zoo Keeper, a faithful port of the early 80’s arcade classic to the 2600 developed by Champ Games — who have been killing it with their talented Atari 2600 ports of classic arcade games like Galaga and the upcoming Robotron 2084 — and Ninjish Guy in Low-Res World, a homebrew platformer for the 2600 in the vein of Super Meat Boy. I’ve been looking forward to playing a 2600 homage to one of my top early 80’s arcade classics Zoo Keeper for quite some time.

Ninjish Guy - Atari 2600
Ninjish Guy in Low Res World

Also-worth-a-look releases are Deepstone Catacomb, a zelda-like adventure game, which looks really well done for an Atari 2600 title. Venture Reloaded, another early dungeon crawler, finally does justice to the classic arcade game Venture, should appeal to fans of the original.

Deepstone Catacombs - Atari 2600
Deepstone Catacomb

Fans of the maze genre should find Hugo Hunt and Robot City to their liking. Dare Devil shows off some impressive chiptune chops and parachuting action reminiscent of classic games like Frogger, Freeway, and of course Sky Diver. But it appears to be an update or direct sequel to 1983 release, Parachute. Cannon Head Clash is a really fun-looking 2p artillery duel with destructive terrain and frantic action. If you enjoyed games like Outlaw/Gunslinger, and Combat on the 2600, this is one to check out. It’s even available for SECAM60 television sets, which is amazingly rare for a homebrew. Avalanche should appeal to fans of Activision’s classic paddle game, Kaboom! Tower of Rubble features fantastic audio, and super-slick animation and platform-edge hanging action as you struggle to stay atop a crumbling tower of falling blocks.

All of these new games show that the Atari 2600, released now 43 years ago back in 1977, still has many extra lives nearly half a century later, and nearly three decades after the last Atari 2600 rolled off the assembly line. The dedication of the programmers who pull off these minor miracles to their craft is astounding. The fact is that every produced by the homebrew community these days are among the best ever released on their platform. While the prices might seem steep at $40-50 apiece, the games are produced by hand in small batches, and are every bit as professionally presented as the best games produced by top industry developers during the system’s heyday. If you’re a fan of the system and still have working hardware hooked up in your house, they are absolutely worth their price.

I haven’t even looked at the titles for the other systems yet, because my budget frankly can’t take it. Just about every game I have looked at looks like a game worth playing, with most of them being must-buys.

Champ Games ports Robotron 2084 to Atari 2600. OMG.

Arcade, Atari, games, reviews
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Champ Games revealed their latest project last night: an Atari 2600 port of Robotron 2084. One of the best videogames of all time.

The announcement, released through ZeroPageHomebrew’s twitch.tv stream, comes a year after Champ announced their homage to Galaga, later renamed Galagon.  Champ is also working on an Atari 2600 port of early 80s arcade classics Zookeeper and Lunar Lander, both of which look fantastic even in pre-release work-in-progress states.

The video stream doesn’t start to show the actual Robotron gameplay until about an hour in.

Champ have been consistently delivering amazing port of classic games on the Atari 2600 platform that far exceed the system’s original capabilities, and play very close to arcade-perfect. This version looks a tad bit slower and not as smooth, but is incredible considering it is running on an Atari 2600.  There’s an ARM processor inside the cartridge helping out, too.

This is a must-own port of a classic game if you own an Atari 2600, and it’s on my very short list of eagerly awaited Atari 2600 games that I want but don’t have. 

Even if 2020 is a complete dystopian hellscape, at least we’ll have Robotron and Zookeeper to play during our indefinite social distancing and sheltering at home. That makes it almost OK, right?

Picking apart Atari’s latest announcement on the Atari VCS

Atari
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The business entity currently calling itself “Atari” published a new tech blog today, to address their current status with delivering the long-overdue Atari VCS systems. As usual, things are not well.

At the time of this writing, the world is in the grip of a global pandemic of COVID-19, which originated in China, and has lead to major economic disruptions as authorities in China have shut down entire cities in an effort to contain the spread of the virus.  Under such circumstances, it’s entirely understandable that this could cause delays.

Rather immediately, though, we see the usual disturbing signs that not all is well with the project, beyond these circumstances that are beyond anyone’s control:

…We have confirmed delivery of enough parts by the end of March to build our first 500 Atari VCS production units. A good portion of these first Atari VCS units are earmarked as dev kits for developers.

Four things leap out about this revelation:

One: Previously, Atari had been targeting March 31 for when the VCS would be available for purchase at retail, through GameStop and Wal Mart. 

Two: Indiegogo preorders topped out around 10,000, and presumably Atari must have been intending to supply additional thousands or tens of thousands of units to stock retailers.  But now they say they will have “parts” for 500 units by the end of March, well off the numbers needed to fulfill even the pre-order.

Three: “a good portion of these first Atari VCS units are earmarked as dev kits for developers.” 

So… to be clear on this.  Atari’s business plan is to:

  1. Sell consoles through pre-order.
  2. Design the consoles.
  3. Build the consoles.
  4. Provide the consoles to crowdfunding backers and retail and developers all at the same time.
  5. Now developers start working on software for use on the console.

I don’t need to spell out why this is the wrong order to do things in, do I?

Getting “dev kits” into the hands of developers early so that there can be launch titles available when the hardware reaches consumers is vital to the success of the console. Games take months and years to develop. They’ve been working on the AtariBox project for a good 3 years now, they should bloody well have games on it when they release it to consumers.

But given that this is just a commodity Linux box in a fancy looking shell that is “certified” to run Unity engine games, what exactly does anyone need with a “dev kit” anyway? The only thing I can think of would be that the VCS’s classic joystick is different enough from a standard gamepad (which they also have for the system) that there’s some need for a dev kit. That’s plausible, but it still doesn’t excuse Atari from not getting dev kits into the hands of developers partnering with them well in advance of the console’s expected release date, which I will point out again is already about two years later than they promised during the crowdfunding campaign.

Four: Why are they receiving parts?  Why aren’t they assembling everything in China? What the fuck?

The blog post goes on from there to go into minute details of manufacturing defect tolerances, for some reason. I guess to show that they have a lot of problems building defect free cases for the thing? That’s reassuring!

I guess they want us to believe that they are working hard with manufacturing to get the details right, but that this hasn’t been easy, and this has been part of the reason for all the delays.

And from there, some footage of people playing emulated Atari arcade titles such as Asteroids, Crystal Castles, and Centipede. And a video of someone playing Fortnight, allegedly on an Atari VCS system. Which, hey, great, but that’s something anyone can do right now, on a computer they already have.

“Atari” then go on to mention that their planned schedule of events has been disrupted as events such as GDC, SXSW, and E3 have been canceled due to the COVID-19 pandemic. Which, given the history of “Atari” attending these events in the last 2-3 years, maybe just means that the there wasn’t any point in them renting a hotel suite across the street from the convention and inviting attendees to swing by while they’re in the neighborhood, riding the event’s coattails.

Will “Atari” be at Pax, or Comic Con? Who knows? Who cares?

The bottom line is: You ain’t seeing your Atari VCS pre-order at the end of March. Surprise, surprise. And if you ever do receive your system, it’ll be around the same time that developers receive their dev kits. So while you’re waiting breathlessly for the next 2-3 years for them to crank out games that were actually designed for this system, you’ll be able to enjoy a library of existing games, many of which are already available elsewhere, and have been for literally the entire history of video games.

Enjoy!

AtariBox update: We’re Unity-compatible! You can start developing NOW! Lol.

Atari, games
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Today my inbox had an email from Atari in it, announcing that they are now ready for developers to start making games for the system. Which is supposed to be released to retail in March. Lol.

OK, so this might be slightly less ridiculous than it seems. Let’s recall that the real Atari gave Howard Scott Warshaw a whole 5 weeks to crank out E.T.: The Extra-Terrestrial. Which he did. Because HSW is a beast.

But mainly, it’s not unreasonable because millions of game developers already have projects that they’re developing in Unity3D, and it’s probably trivial in most cases to create a build that will run on Linux, which is what AtariBox’s OS will be based on.

The announcement reads as follows:

Hello Backers, Fans, and Followers!

In light of our recent confirmation of Unity compatibility with the Atari VCS, it’s time to start unlocking access and giving game and app developers the green light to start developing new games and making plans for porting existing content to the platform. We have recently contacted interested developers with our initial plans and are happy to now share more with our broader audiences.

Getting content onto the Atari VCS will be straightforward and easy for both large professional studios and independents alike. Most developers already have all the tools they need to develop for our Linux Debian-based OS and can start right away.

Atari will also have a path to get your games and apps into the Atari VCS store and make real money! 

Please head over to our latest Atari VCS Medium Blog here for additional details about the Atari VCS development process and exciting opportunity.

You can find all the previous Atari VCS developer blog posts here.

A couple hundred BackerKit survey remain incomplete. If you have not completed one, go to https://atari-vcs.backerkit.com now and request your survey. It only takes a few minutes and will make your Atari VCS shipment(s) run smoother and faster.

Ongoing thanks again to every backer, fan, and developer. We can’t wait to see what you create!

— The Atari VCS Team

So, great. Potentially, tens of thousands of already-existing games built with Unity can be easily ported to the AtariBox, which if for some reason you wanted to play games on that platform instead of one of the half dozen or so platforms that you already own that has been capable of playing Unity games since forever, then hooray — you can!!

Let’s be clear, announcing “Unity compatible” is neither shocking, nor impressive. Your smart phone, your web browser, and your generic PC can all run Unity games. So can your Macintosh PC, and your iPad.

It’s rather difficult to imagine what hurdles Atari might have needed to leap over in order for their AMD x64 linux PC in a fancy case might have had to overcome in order to verify that it could run Unity games. Because, frankly, it is stupid easy to do. Which is one of the really nice things about Unity.

It’s yet another underwhelming announcement in a series of underwhelming announcements from Atari about the “progress” that they’ve managed to “achieve” with their New VCS project.

But let’s be clear: you or I could assemble a PC capable of running Unity games in about an hour with components that I ordered from NewEgg, probably for around the same cost as what Atari is selling the VCS for, and it wouldn’t take me 3 years to develop it.

Atari’s latest Medium blog update mentions that they are now working on establishing compatibility with other game development engines. But this should also be a trivial exercise as well, given that the Atari VCS is a generic linux PC under the hood. From what they’ve said, they’re only really developing a graphical shell environment (and even then, very likely all they’re doing is creating a “skin” for some existing graphical shell, with minimum customization, plus an app store and a launcher. But I expect that we’ll be hearing that Atari VCS will support Godot engine, GameMaker Studio 2, Unreal Engine, the Gnu C Compiler, and pretty much anything else that already has the means to build executable binaries for Linux.

But if you know what that means, it’s not even slightly impressive, because literally everything in the world can run linux, and can run software compiled for linux.

The one nice thing that I see in Atari’s announcement today is that they are taking only a 12% cut of your sales if you produce exclusive content for the Atari VCS, and just 20% for non-exclusive content sold through their app store. Which is a lot better than the 30% cut that is taken by Valve, Apple, and Google for selling apps through their stores. Of course, considering that Atari has only had about 10,000 units in pre-sale that we know of (based on their initial Indiegogo crowdfunding) it seems that limiting your game’s audience to AtariBox customers is going to cost you a lot more in sales revenue than that 8% could ever hope to make up for.

So… meh. It doesn’t look, then, like there will be a whole lot of exclusive titles for this system, which means that there won’t be any reason to buy this system, which means that there won’t be any reason to target this system for exclusive game titles, which means that this whole thing is unlikely to catch on. Pretty much as I’ve said all along.

If you’re a developer and interested in more information, they say to write to dev@atari.com. Which, maybe, hopefully, finally won’t bounce messages sent to it, as they have the last two times I tried to write to them over the past year.